Maria Sibylla Merian at Philbrook Museum: A Botanical Illustrator Worth the Trip to Tulsa
An exhibit on Maria Sibylla Merian is currently on display at the Philbrook Museum of Art in Tulsa, Oklahoma. Drawn from a private collection, the works are well worth seeing. So is Philbrook itself—a 1920s historic estate built during Tulsa’s oil boom and now home to a museum surrounded by beautiful gardens. Art, architecture, and gardens together in one place? Definitely my jam.
Who is Maria Sibylla Merian? Well, if anyone asks me who my favorite artist is, who is one of my sheroes, it’s Merian.
She was a botanical illustrator, scientist, explorer. She was also fearless, curious, groundbreaking, and well-traveled. She was a single mother. She was open to other cultures and deduced her own opinions. She sold everything and brought her daughter with her to another continent at age 52.
Oh, and she lived from 1647 to 1717.
She researched and documented the life cycle of butterflies and moths at a time when most people believed that insects spontaneously rose from mud or dung or rotting meat. Her drawings paired insects with the plants that they fed on - groundbreaking for her time.
But let’s skip to age 52, in 1699, when she boarded a ship for Surinam (northern South America) with her 21-year-old daughter Dorothea. They went into the jungle to study and paint plants and insects and the relationships between flora and fauna. She fell ill in 1701 (2 years later) and returned to Amsterdam, yet her 1705 book Metamorphosis Insectorum Surinamensis included 60 full-plate engravings.
Researching this reminded me of two museum visits from Fall 2023.

I loved the Flower Power exhibit at the Musée des Impressionnismes Giverny, a quick walk from Monet’s Garden. Pictured is The Marias (2000) by Kapwani Kiwanga, part of a group exploring “flowers of revolt”. This art depicts the Peacock Flower in two stages of its growth. Native to South America, this plant was used by enslaved women to abort children rather than have them born into a life their mother knew too well. Kiwanga based this art on accounts Merian collected from female slaves in Surinam. Merian documented forced labor, suffering, and the botanical knowledge of the enslaved African and indigenous people in Surinam (a Dutch colony) in her 1705 book.
I joined a small behind-the-scenes archive tour at the Metropolitan Museum of Art in New York, presented by the Garden Conservancy. Among the many treasures from the 1600s to 1900s was this illustration from Tulipmania times. The artist was Jacob Marrel, the stepfather of Maria Sibyll Merian. He taught her painting and drawing. Merian’s daughters Johanna and Dorothea were also accomplished artists. Peter the Great invited Dorothea and her artist husband to Russia to work for him in 1717. She helped create the natural history collection for what became the Kunstkamera, Russia’s first public museum.
This was a delight to research this morning, online and in travel journals. I truly got lost down the rabbit hole while researching this online and in my travel journals. Then I came across AI-generated images of Merian as flawless, stunning young woman with flowing hair and a plunging neckline in the jungle.
History suggests otherwise.
In the mid 1700s artists, limited by few and confusing portraits of her, created idealized drawings of her at a younger age for later editions of her books.
Oh, will we ever change?
Add Tulsa to a road trip this spring to experience this exhibition, which runs Sept. 20, 2025 – May 31, 2026. The Philbrook, housed in a 1920s Italianate villa with formal gardens, was already high on my destination bucket list. You can take U.S. Route 66, which celebrates its 100th anniversary in 2026.
And if this post leaves you curious — even slightly enlightened — then it has done its work.






